The Mughal Empire: Administration and Culture
Mughals for UPSC — rulers and battles, Sher Shah's reforms, mansabdari, zabti revenue, Akbar's sulh-i-kul, and Mughal architecture, painting and literature.
SyllabusGS I · History of India (Prelims); Indian culture — salient aspects of art forms, literature and architecture from ancient to modern times (Mains GS I)
Prerequisites: The Delhi Sultanate: Polity, Administration and Culture · Chapter overview
The Hook: A House of Worship for Arguments
In 1575 the emperor Akbar built the Ibadat Khana (House of Worship) at Fatehpur Sikri. At first only Muslim scholars debated there; later Akbar invited Hindu, Jain, Zoroastrian and Christian (Jesuit) thinkers. The debates helped shape his policy of sulh-i-kul — “peace with all”. Fatehpur Sikri became a UNESCO World Heritage Site in 1986.
The question this raises: how did a Central Asian dynasty build an empire that ruled most of the subcontinent for over a century — and a culture whose monuments, paintings and language still define “Indian” for much of the world?
The Core Concept
Rulers and turning points
| Ruler | Reign | Highlights |
|---|---|---|
| Babur | 1526–1530 | First Panipat (21 April 1526) — defeated Ibrahim Lodi using field artillery and the tulughma flanking tactic; Khanwa (1527) — defeated Rana Sanga; Chanderi (1528); Ghaghra (1529); memoir Baburnama in Turki |
| Humayun | 1530–1540, 1555–1556 | Lost to Sher Khan at Chausa (1539) and Kannauj (1540); exile in Persia; regained Delhi in 1555; died after a fall from the steps of his library in Purana Qila (1556) |
| Sher Shah Suri | 1540–1545 | Afghan ruler; major administrative reforms (below); died at Kalinjar |
| Akbar | 1556–1605 | Second Panipat (5 November 1556) — defeated Hemu; regency of Bairam Khan; Rajput alliances; conquest of Gujarat, Bengal, Kashmir, Sindh and parts of the Deccan; Haldighati (1576) against Maharana Pratap |
| Jahangir | 1605–1627 | The “chain of justice”; memoir Tuzuk-i-Jahangiri; influence of Nur Jahan; English envoys William Hawkins and Sir Thomas Roe (1615–1619); execution of Guru Arjan Dev (1606) |
| Shah Jahan | 1628–1658 | Peak of Mughal architecture; Ahmadnagar annexed; war of succession among his sons (Samugarh, 1658) |
| Aurangzeb | 1658–1707 | Reimposed jizya (1679); execution of Guru Tegh Bahadur (1675); annexed Bijapur (1686) and Golconda (1687); long Deccan wars against the Marathas; died at Ahmednagar |
| Later Mughals | 1707–1857 | Farrukhsiyar’s farman (1717) to the English East India Company; Nadir Shah’s invasion (1739) under Muhammad Shah; Third Panipat (1761); Bahadur Shah II exiled after 1857 |
Sher Shah Suri — reforms the Mughals inherited
- Currency: the silver rupiya and copper dam.
- Land revenue: land measured; a schedule of crop rates (ray); the state’s share about one-third; the patta (title deed issued to the peasant) and qabuliyat (the peasant’s acceptance of revenue terms).
- Roads and sarais: rebuilt the great road from Sonargaon (Bengal) to Peshawar — later called the Grand Trunk Road — with sarais (rest-houses) that also served as posts for the news service (dak chowki).
- Administration: sarkars and parganas with officials such as the shiqdar and amin.
- Monuments: Rohtas Fort (now in Pakistan; UNESCO 1997), his tomb at Sasaram (Bihar) set in an artificial lake, and the Qila-i-Kuhna mosque in Delhi’s Purana Qila.
Central administration
| Official | Responsibility |
|---|---|
| Wakil | Chief minister — powerful under Bairam Khan, later largely honorific |
| Diwan (Wazir) | Revenue and finance |
| Mir Bakhshi | Military administration — mansabdars, pay, musters; also intelligence |
| Mir Saman | Imperial household and the royal workshops (karkhanas) |
| Sadr-us-Sudur | Religious affairs, charity, revenue-free grants (madad-i-maash) |
| Qazi-ul-Quzat | Chief judge |
| Muhtasib | Public morals and markets |
Provinces: Akbar organised the empire into subas — 12 in 1580, 15 by the end of his reign. Each had a subedar (governor), a diwan (revenue), a bakhshi (military pay), a sadr and qazi, and a news-writer (waqia-navis). Below came the sarkar (under the faujdar for law and order and the amalguzar for revenue) and the pargana (shiqdar, amil, qanungo), with the muqaddam and patwari in the village.
Mansabdari and jagirdari
- Every officer held a mansab (rank), expressed as two numbers: zat (personal rank and salary) and sawar (number of cavalry to be maintained).
- Mansabdars were paid either in cash (naqdi) or through a jagir — an assignment of revenue from a territory. Jagirs were transferable, so that no noble struck roots in one region.
- Checks on fraud: dagh (branding of horses) and chehra (descriptive roll of troopers).
- In the later seventeenth century, too many mansabdars chased too few productive jagirs — the so-called jagirdari crisis, often cited among the causes of Mughal decline.
Land revenue
| System | How it worked |
|---|---|
| Zabti / Dahsala (from 1580; associated with Raja Todar Mal) | Land measured; average yields and prices of the previous ten years used to fix cash rates per crop per bigha |
| Batai / Ghallabakhshi | Crop-sharing between state and peasant |
| Kankut | Revenue estimated from the standing crop |
| Nasaq | Assessment based on past revenue records |
Classification of land (Akbar): polaj (cultivated every year), parauti (left fallow for a short while), chachar (fallow for three or four years), banjar (fallow for five years or more).
Akbar’s religious policy
| Year | Step |
|---|---|
| 1563 | Abolished the pilgrim tax |
| 1564 | Abolished the jizya |
| 1575 | Built the Ibadat Khana at Fatehpur Sikri |
| 1579 | The Mahzar — a declaration giving Akbar the right to choose among differing opinions of religious scholars |
| 1582 | Tauhid-i-Ilahi (Din-i-Ilahi) — a small spiritual discipleship, not a mass religion |
The guiding principle was sulh-i-kul — tolerance and peace among all communities — described by Abul Fazl. The Maktab Khana (translation bureau) rendered the Mahabharata into Persian as the Razmnama, along with the Ramayana and other works.
Architecture
| Phase | Monuments | Features |
|---|---|---|
| Humayun’s era | Humayun’s Tomb, Delhi (built under the patronage of his widow; Persian architect Mirak Mirza Ghiyas; UNESCO 1993) | The first great garden-tomb of the subcontinent; charbagh layout; double dome; red sandstone with white marble |
| Akbar | Agra Fort; Fatehpur Sikri — Buland Darwaza, Jama Masjid, Panch Mahal, Diwan-i-Khas, the white marble tomb of Shaikh Salim Chishti | Mainly red sandstone; blends Persian forms with Indian brackets, chhatris and trabeate halls |
| Jahangir | Akbar’s tomb at Sikandra; Itimad-ud-Daulah’s tomb, Agra (built by Nur Jahan) | Itimad-ud-Daulah — white marble with extensive pietra dura (inlay of semi-precious stones) |
| Shah Jahan | Taj Mahal (UNESCO 1983); Red Fort, Delhi (UNESCO 2007); Jama Masjid, Delhi; Moti Masjid, Agra Fort | White marble, pietra dura, bulbous domes, symmetry, Shahjahanabad as a planned capital |
| Aurangzeb | Badshahi Mosque, Lahore; Bibi ka Maqbara, Aurangabad (built by his son Azam Shah) | Fewer projects; Bibi ka Maqbara modelled on the Taj |
Painting
- Origins: Humayun brought the Persian masters Mir Sayyid Ali and Abdus Samad, who led Akbar’s studio.
- Akbar: the Hamzanama (a large illustrated romance); Indian painters such as Daswanth and Basawan; illustrated histories and translations.
- Jahangir — the high point: naturalism, portraits and studies of birds, animals and flowers — Ustad Mansur (animals and birds), Abul Hasan, Bishandas (portraits); the halo behind the emperor’s head.
- Shah Jahan: more formal and ornamental. Aurangzeb: court patronage declined; painters moved to Rajput courts (Mewar, Bundi, Kishangarh — where Nihal Chand painted the Bani Thani) and the Pahari courts (Basohli, Guler, Kangra).
Literature, language and music
| Writer | Work |
|---|---|
| Babur | Baburnama (Turki) |
| Gulbadan Begum | Humayun-nama |
| Abul Fazl | Akbarnama, whose third volume is the Ain-i-Akbari |
| Abdul Qadir Badauni | Muntakhab-ut-Tawarikh — critical of Akbar’s religious policy |
| Faizi | Poet; translated the mathematical text Lilavati |
| Abdur Rahim Khan-i-Khanan | Translated the Baburnama into Persian; Hindi dohas |
| Abdul Hamid Lahori | Padshahnama (Shah Jahan) |
| Dara Shikoh | Majma-ul-Bahrain (“The Mingling of Two Oceans”); Sirr-i-Akbar, a Persian translation of the Upanishads (1657) |
| Tulsidas | Ramcharitmanas (Awadhi), in Akbar’s time |
| Surdas | Sursagar (Braj) |
Music: Tansen at Akbar’s court. Aurangzeb ended singing at court, though Persian treatises on Indian music continued to be written in his reign.
Language: Persian was the language of administration; contact between Persian and local speech helped the growth of Urdu.
graph TD
A[Babur: Panipat 1526] --> B[Humayun]
B --> C[Sher Shah: rupiya, roads, revenue]
C --> D[Akbar: mansabdari, zabti, sulh-i-kul]
D --> E[Jahangir: painting at its height]
E --> F[Shah Jahan: Taj Mahal, Red Fort]
F --> G[Aurangzeb: Deccan wars, jizya reimposed]
G --> H[Later Mughals: decline after 1707]Memory Anchors
Great Mughals in order: “Big Hungry Animals Just Sleep Afterwards” → Babur, Humayun, Akbar, Jahangir, Shah Jahan, Aurangzeb.
Three Panipats: 1526 Babur vs Ibrahim Lodi · 1556 Akbar (Bairam Khan) vs Hemu · 1761 Ahmad Shah Abdali vs the Marathas.
Land classes by fallow years: “Please Park Cars Behind” → Polaj (0), Parauti (short), Chachar (3–4), Banjar (5+).
Stone of each reign: Akbar — red; Shah Jahan — white; Jahangir — the bridge (pietra dura on white marble at Itimad-ud-Daulah).
For Prelims
- Panipat 1526 (Babur–Ibrahim Lodi), Khanwa 1527 (Rana Sanga), Panipat 1556 (Hemu), Haldighati 1576.
- Sher Shah — rupiya, patta and qabuliyat, Sonargaon–Peshawar road, Rohtas Fort.
- Akbar — jizya abolished 1564; Ibadat Khana 1575; Mahzar 1579; zabti/dahsala 1580 (Todar Mal).
- Mir Bakhshi — mansabdars; Mir Saman — household; Muhtasib — public morals.
- Itimad-ud-Daulah — Nur Jahan, pietra dura; Bibi ka Maqbara — Azam Shah.
- Sirr-i-Akbar (1657) — Dara Shikoh’s Persian Upanishads.
For Mains
- Dimensions: centralised bureaucracy (mansabdari, subas); agrarian system and peasant relations; religious policy and composite culture; architecture and painting; language and literature; causes of decline.
- Keywords: sulh-i-kul, mansabdari, zabti, charbagh, pietra dura, Indo-Persian synthesis, jagirdari crisis.
- Value-addition: Dara Shikoh’s Sirr-i-Akbar and Majma-ul-Bahrain as a bridge between traditions; the Taj Mahal, Red Fort, Humayun’s Tomb and Fatehpur Sikri as World Heritage Sites; the Mughal Garden at Rashtrapati Bhavan (renamed Amrit Udyan in January 2023) as a later example of the charbagh idea.
Common Traps
Practice
Prelims
Consider the following pairs of Mughal official and responsibility:
- Mir Bakhshi — military administration and mansabdars
- Mir Saman — imperial household and karkhanas
- Diwan — command of the imperial army
- Muhtasib — collection of land revenue
How many of the pairs given above are correctly matched?
Solution
Pairs 1 and 2 are correct. The Diwan handled revenue and finance, not the army; the Muhtasib supervised public morals and markets. Two pairs are correct.
Answer: B
Consider the following statements about Akbar:
- He abolished the jizya in 1564.
- He built the Ibadat Khana at Fatehpur Sikri in 1575.
- The dahsala system of revenue was introduced in 1580 with Raja Todar Mal’s help.
Which of the statements given above is/are correct?
Solution
All three are correct. These are three of the most-tested dates of Akbar’s reign: jizya abolished (1564), Ibadat Khana (1575), dahsala/zabti (1580).
Answer: D
Consider the following pairs of monument and builder:
- Tomb of Itimad-ud-Daulah, Agra — Nur Jahan
- Bibi ka Maqbara, Aurangabad — Azam Shah
- Buland Darwaza, Fatehpur Sikri — Shah Jahan
Which of the pairs given above is/are correctly matched?
Solution
Pairs 1 and 2 are correct. The Buland Darwaza was built by Akbar at Fatehpur Sikri, commemorating his conquest of Gujarat.
Answer: A
Mains
Trace the evolution of Mughal architecture from Humayun’s tomb to the Taj Mahal, bringing out its synthesis of Persian and Indian elements.
Solution
Introduction: Mughal architecture grew out of Timurid-Persian traditions and the Indo-Islamic style of the Sultanate, and matured into a distinct imperial style over about a century.
Body:
- Humayun’s Tomb (1560s): first great garden-tomb; charbagh; double dome; red sandstone with marble — Persian plan, Indian chhatris.
- Akbar: Fatehpur Sikri and Agra Fort — red sandstone; trabeate halls, brackets and chhatris from Indian (including Gujarati and Rajput) traditions; Buland Darwaza; Panch Mahal.
- Jahangir: Itimad-ud-Daulah — the move to white marble and pietra dura; Akbar’s tomb at Sikandra; gardens in Kashmir.
- Shah Jahan: the Taj Mahal — perfect symmetry, bulbous double dome, minarets, white marble, pietra dura, calligraphy, riverside charbagh; Red Fort and Jama Masjid of Delhi.
- Synthesis: Persian dome, iwan and garden; Indian chhatris, lotus finials, brackets and craftsmanship.
Conclusion: From Humayun’s tomb to the Taj, Mughal architecture moved from experiment to perfection — a synthesis so complete that it became a symbol of India itself.
Quick Revision
| Point | One-liner |
|---|---|
| Babur | Panipat 1526; Khanwa 1527; Baburnama (Turki) |
| Sher Shah | Rupiya; patta-qabuliyat; Sonargaon–Peshawar road; Rohtas |
| Akbar | Panipat 1556; jizya ended 1564; Ibadat Khana 1575; zabti 1580 |
| Mansab | Zat (personal) and sawar (cavalry) |
| Land classes | Polaj, parauti, chachar, banjar |
| Jahangir | Tuzuk; Roe (1615–19); painting at its peak |
| Shah Jahan | Taj Mahal; Red Fort; Jama Masjid |
| Aurangzeb | Jizya 1679; Bijapur 1686; Golconda 1687 |
| Decline | Nadir Shah 1739; Panipat 1761 |
Key Takeaways
- Mughal power rested on a bureaucracy of ranked nobles (mansabdari) and a measured, cash-based land revenue (zabti).
- Akbar’s sulh-i-kul is the core idea for Mains questions on religious policy and composite culture.
- Learn architecture and painting reign by reign — red sandstone to white marble, Persian masters to Indian naturalism.
Related Topics
- Shivaji and the Rise of the Marathas
- The Mughal Empire — quick revision
- The Mughal Empire — practice questions
- Bhakti and Sufi Movements
- Indian Art and Architecture